Established December 2003
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G
r a n t L e e P h i l l i p s -
V i r g i n i a C r e e p e r
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6.0 Z's
10.0 :
Essential
9.5-9.9 :
Spectacular
9.0-9.4 :
Amazing
8.5-8.9 :
Exceptional
8.0-8.4 :
Strong
7.5-7.9 :
Very good
7.0-7.4 :
Not brilliant, but
nice enough
6.0-6.9 :
Has its moments, but
isn't strong
5.0-5.9 :
Mediocre; not good,
but not awful
4.0-4.9 :
Just below average;
bad outweighs good
by just a little bit
3.0-3.9 :
Definitely below average,
but a few redeeming
qualities
2.0-2.9 :
Heard worse, but still
pretty bad
1.0-1.9 :
Awful; not a single
pleasant track
0.0-0.9 :
Breaks new ground for
terrible
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Style
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singer-songwriter,
folk
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Released
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02.24.04
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Web Page
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Points of Reference
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Essra
Mohawk
Jeff Buckley
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Listen Here
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Mona
Lisa
Virginia Creeper |
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Reviewed by
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S
omehow true fame has managed to elude Grant Lee Phillips in
the 11 years he has been releasing
albums. Sure, he has a devoted fan
base, been able to make a living
at making music and has a recurring
role on television's Gilmore
Girls ; but I can't
help but think there could have been
more. His albums have been so consistent
that he could easily sustain the
attention of fans if he only had
one hit song to win them over. His latest album, Virginia
Creeper, continues that trend.
Phillips first began releasing
music with his band, Grant
Lee Buffalo, in 1993. That band produced melodic rock/amplified
folk that won them many admirers.
With his first solo release in
2001, Mobilize, Phillips
decided to add electronic blips
and beeps as an integral part of
his backing band. The experiment
weakened the emotion of those songs. Virginia
Creeper indicates Phillips may have realized this problem.
For the album, Phillips rounded
up all the talented friends he
has made in the business to back
him with a countrified sound that
give the songs much more weight.
The problem is that while the music is strong, there is little
to make it stand out.
The
album starts out with the strongest
track, ?Mona Lisa,? but
by the third track, it is obvious
that the songs are not going to
change. They are really just a vessel for the lyrics; the music
is an afterthought as Phillips presents several characters, treating
many of the songs as portraits. The presentation does not make
for a very accessible album, but it is rewarding for those who
want to sit down with the lyrics and pay close attention. On
first listen I thought the album was strong, but once I thought
about it, I realized that none of these songs would make me urgently
put the album on in a month because I just have to hear it again.
It is destined to be pleasant background music, a destiny where
the lyrics don't matter.
If Phillips had somehow hit it big with
a song off of Mobilize or
even one off one of the Grant Lee
Buffalo albums, legions of fans would be purchasing Virginia
Creeper and be quite satisfied
with their purchase. But as it stands,
Phillips' devoted fans will be purchasing it and loving it. Lucky
for Phillips, there are enough of those fans that he can keep
making music.
.
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| ©
2003 redsock |
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