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L
i a r s - T h e y W e r e W r o
n g S o W e D r o w n e d
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Liars
They
Were Wrong, So We Drowned
Mute
6.9 Z's
10.0 :
Essential
9.5-9.9 :
Spectacular
9.0-9.4 :
Amazing
8.5-8.9 :
Exceptional
8.0-8.4 :
Strong
7.5-7.9 :
Very good
7.0-7.4 :
Not brilliant, but
nice enough
6.0-6.9 :
Has its moments, but
isn't strong
5.0-5.9 :
Mediocre; not good,
but not awful
4.0-4.9 :
Just below average;
bad outweighs good
by just a little bit
3.0-3.9 :
Definitely below average,
but a few redeeming
qualities
2.0-2.9 :
Heard worse, but still
pretty bad
1.0-1.9 :
Awful; not a single
pleasant track
0.0-0.9 :
Breaks new ground for
terrible
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Style
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experimental
rock
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Released
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02.24.04
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Web Page
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Points of Reference
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Panthers
Les Savy Fav
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Listen Here
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Reviewed by
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L
iars most recent release They Were Wrong,
So We Drowned could have easily been titled They Liked
The First One, So We Dropped This
on Them. The bass has been replaced
with staticy keyboard glitch loops
and Angus Andrew's lyrics have
gotten even more nonsensical. Apparently
the theme behind this album, as
evidenced by the album title and subsequent song titles such
as ?Broken Witch,? is Witch
Hunts. Still, the disco beats shine
through on the occasional track.
Fans of the first album should
be thankful for that, if for the
only reason that they might find
something likeable on this one.
Now, in all fairness, let it be
said that Liars have lost two members.
The Nebraskans, bassist Pat Nature
and drummer Ron Albertson, split.
These two were the glue that held
their live shows, and apparently their albums, together. And
now Liars are three. Angus and Aaron Hemphill have added Julian
Gross.
These Liars, they sure know how
to tease. The first track, ?Broken
Witch?, starts off with a repetitive bell-like sound, an 80's synth
played randomly, and a drummer that
sounds as if he is about to lay down
a great beat. They don't give in
that easily though. After a few starts
and stops things get going in typical
Liars fashion only to stop again. The missteps are made up for
in the brilliantly named, ?They
Don't Want Your Corn, They Want Your
Kids.? Where
Liars once reveled in 80's punk-funk,
they've since moved to synth pop.
Another punk-funk album would have
been predictable. Songs like, ?Mr.
You're on Fire Mr.,? and ?We Live NE of Compton ,? from their first
album, are prime examples of how
good they were in that genre. So
what do Liars do now? They dismantle.
And what is the result? Stuttered
drum loops, beats just barely making time, and lazy vocals. There's
even a nature-scape thrown in for good measure at the end of ?Flow
My Tears the Spider Said.?
Surely there will be a backlash against
this album. That's standard with
bands that try for different sounds.
The songs are highly inaccessible
and short on consistent rhythms. However, the groundwork has been
laid. What will be most interesting though is where they go from
here.
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